Tags: Kristin Hersh Throwing Muses, 50 Foot Wave
4ad Belly Creative Commons Tanya Donelly Cash
Music Lakuna Chalk FarM
Whatever your seedlimit is, make sure u pass your
downloads on. Don't leave people stuck while
you're being happy with what u wanted. Or leave
one seeder alone seeding to lots of peers. It
happens u get something low profile and it takes
days, or weeks b4 u can leave it to new seeders.
But u don't have to let your computer run 24/7,
people have to be patient
.
You can
Visit
Homepage * Cash Site * Wild Vanilla (fan network)
* MySpace * Facebook * Twitter
Buy
Throwing Music Online Store
Amazon: Kristin * Throwing Muses * 50 Foot
Wave
iTunes: Kristin * Throwing Muses * 50 Foot
Wave
Discogs: Kristin * Throwing Muses * 50 Foot
Wave
Donate Here
Or apply for various subscribtions
read about it Here
She has a Cash Site where she releases every
month (in theory) a new demo song, download for
free as mp3, flac and stems, for u to play with
(her RW-page with various contributions). This way
she released in '07/'08 the Speedbath demo's. This
year she started with a new series
Further free music:
Wiki Spaces * Musings
Internet Archive: Kristin * Throwing Muses * 50
Foot Wave
Don't forget that all those free releases are
distributed using a Creative Commons by-nc-sa
license. Put simply, you are encouraged to share,
remix, or adapt it in any non-commercial work as
long as you attribute Kristin Hersh as the
original creator and allow others to use your work
under the same conditions.
http://creativecommons.org/About
Sent by remulac1 2 hours ago
kristin hersh cash music
Thanks so much for your post. I followed the
links, downloaded and contributed. This is the way
it should be. /remulac[/quote]
2003 Live in Burbank
2004 50 Foot Wave aka Bug
2005 Golden Ocean
2005 Free Music!
2008 Power+Light
&
*Somebody To Love (from Souveniers: Modern Covers
of the Classics)
*Your Ghost
*4 vidz:
Clara Bow * Pneuma * Sally Is A Girl * Your Ghost
(m4a)
All mp3/high vbr, perfect quality
Notice
This is the neat and small mp3/high vbr version
of the discography u can get at their Cash Music
homepage (& some xtra stuff u don't get from
there: vidz, lyrics, pics, all perfectly tagged,
more). Not included in this torrent is THE HAT,
where u can donate as much as u feel is
appropriate.
:
And can I say that Rob Ahler's
drumming on Power+Light is absolutely the most
exhilarating of 2008?!!! YES, I FRIKKIN' CAN!!!!
:o
Thoughts On Sustainability
by Kristin Hersh
I often feel there is an inverse relationship
between quality of output and material success in
the music business. This is distressing, but not
out of line with what I've come to expect.
Throwing Muses would wander the halls of Warner
Brothers back in the day, muttering, "You don't
have to suck in order to work here, but it
helps."
Now, however, the financial climate and current
upheaval in the music business mean that musicians
like me are genuinely poor investments for the
traditional powers that be. We do not engage in
lowest common denominator trendiness, and so don't
warrant the expenses of marketing dollars and
company overhead.
Okay, I get that; this is a business. However, I
believe that when you sell toothpaste, you should
be selling a goo that helps prevent cavities and
when you sell music, you should be selling sound
that enriches the listener's inner life. There is
today a twisted kind of natural selection in the
entertainment industry -- a sort of "survival of
the blandest" -- the result, I imagine, of
mind-f*****g marketing techniques, bandwagon
appeal, hype. To me this stuff is ugly, not
beautiful.
Given this, I can only assume that record labels
are not for me. I've said it before -- I will
always play music -- but in the past, it was a
record company's job to make sure you heard that
music. They sold their product; they had funded
it, it was theirs to sell. How to sell music
without them? I liken our situation to that of the
family farmer's -- how can we keep from going
under without going corporate?
This is what I think: we specialize -- we offer
an organic product. It is lumpy and expensive and
made with love and it can save you. It's the right
thing to do. It isn't shiny or poisonous, which
can be disconcerting to people who've been raised
on shiny poison, but it's natural, it's high-end
and we want you to eat it.
To that end, I think I need to engage in a
grassroots kind of capitalism, choosing principles
over profits, values over image, ideals over
marketing. I have to create a permeable membrane
between artist and listener -- I'm a craftsperson,
after all. The church of the rock star that the
music industry televangelists hawk has always been
anathema to me anyway. This is about songs and
sounds, nothing else.
Music is a tenuous profession in good times, hard
times mean some of us disappear. I'm not looking
for pity, but collaboration. Coming to you is the
best way I can think of to continue being a
musician.
The model is not new, it's akin to public radio's
listener supported programming and Community
Supported Agriculture's subscriptions to
underwrite crops. In other words, music grows on
trees, but money doesn't and I'm unwilling to suck
in order to work here. Therein lies the value
proposition. This little business will be
interactive and intelligent; you will not be lied
to, no shiny poison, no middle man.
The idea of relying on listeners, treating music
as a cooperative, is humbling, yet interesting to
me. This is a bit of a manifesto, I'm sorry, and
now I'll shut up, but I wonder if we might be able
to do this together.
windows 7 French Dvdrip transformers 2 new moon twilight 2012 french porn italian lesbian 
